![]() ![]() If Aronoff's book depicts Mellencamp as a restless seeker of sounds, Fogerty comes across as a relentless perfectionist. In December, Aronoff will accompany Neil Diamond during an appearance on "The Late Late Show with James Corden." And Aronoff continues his recording and touring work with Fogerty, founder of Creedence Clearwater Revival. He plays live dates with the BoDeans and Supersonic Blues Machine. Today, Aronoff does most of his recording at his Uncommon Studios in Los Angeles. ![]() There was so much money that people could afford to fly me anywhere, any time for one song." "No one else will ever have a discography like this in our lifetime," Aronoff said. The list of recordings, Aronoff said, tells its own story of years when his schedule was a whirlwind of Nashville, Tenn. Los Angeles and New York on consecutive days and constant repeat. He agreed to edit aggressively but insisted his detailed discography be included at the end of the book. "They said the magic number is 300 pages." "The book came in at 600 pages," Aronoff said. "I focused on what it takes to be successful at anything in life," Aronoff said. "What it takes to be successful and stay successful."Įxecutives at Backbeat Books, an imprint of Hal Leonard, told Aronoff he shared too much wisdom in the book's first draft. The book's unofficial mantra is "I hate taking days off." ![]() "Sex, Drums, Rock 'n' Roll" features new interviews with Mellencamp, Fogerty, Etheridge, Jon Bon Jovi and Billy Corgan. "I notated everything I had to do with the music business, and some personal life," Aronoff said. To piece together his story, the 63-year-old relied on daily planners he had saved since 1977. Working with author Jake Brown, Aronoff said he dedicated 14-hour days to the book. It’s like having another record producer on the project.”Īronoff said writing "Sex, Drums, Rock 'n' Roll" ranks as "one of the most challenging experiences of my life.” “You feel like you’re embarking on something special with him there. “You also have a feeling that what you’re doing has weight and importance,” Eric Klee Johnson said. “He brings an energy and a positivity that just enhances everybody’s attitude and performance in the room, like no other person I’ve ever been in the room with.” “He makes any project he’s involved with a lot better,” Marc Johnson said. Indianapolis producers Marc Johnson and Eric Klee Johnson, twin brothers who own Pop Machine studio, have hired Aronoff for multiple recording sessions. Aronoff played drums on studio recordings by dozens of acts, including Trey Anastasio, Kelly Clarkson, Tony Iommi and Brian Wilson. He has toured with John Fogerty, Melissa Etheridge and the Smashing Pumpkins. 1 on Billboard magazine's Hot 100 chart in October 1982.ĥ sublime Leonard Cohen songs that aren’t ‘Hallelujah’Īn Indiana University graduate who grew up in western Massachusetts, Aronoff has increased his musical stature since exiting Mellencamp's band 20 years ago. "I grabbed the thing out of anger and said, 'At least I want to have control over this thing.' "Īronoff programmed the hand-clap beat heard during the first half of the song, and he added the distinctive midsong solo on conventional drums. Working at Miami's Criteria Studios with producer Don Gehman, the Mellencamp crew heard the Bee Gees experimenting with an early drum machine, the Linn LM-1 Drum Computer, in a nearby room.Īronoff said Gehman borrowed the Linn "out of desperation" for a potential fix for "Jack & Diane." ![]()
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